The Giantess would often come to the city to unwind.
She'd first sit down in her favourite spot where she could lean back against the tall buildings of down town whilst resting her feet over on the mountain side.
She'd then select one of the taller structures from the city around her and pluck it from its foundations. For a while the giantess would then torment the tinies inside in various ways, such as running her tongue up and down it or shaking the building from side to side. This was enough to excite her every time and often she'd have her pants down and be playing with herself within minutes.
Then came her preparations. Using her almighty thumb and fingers she'd start to crush sections of the building, slowly softening its edges and sculpting it to her liking. It wouldn't be long until the building was the right shape for her needs.
She'd done this countless times, but it still excited her the same each time when she would slip the warped building into her wet cunt. The knowledge that hundreds of people were trapped inside her improvised sex toy intensified her experience and in the throws of her ecstasy, the writhing of her body would lay waste to much of the city.
Of course, since this repeatedly happened you might wonder why the people of the city didn't do anything to stop her or try to escape? Well, these sessions of self-pleasure kept the giantess happy... and if this was the destruction she caused when happy - they didn't want to know what she'd be capable of when pissed.
Meta: I saw this shot of Giantess Katelyn on her website's gallery of 2022 photos and knew it had great potential. I figured the perspective was likely to be a challenge and the cutting out, but I really wanted to make it work. I used a combination of an AI tool and my own hand to cut her out at first. I then spent some time looking for a scene which had the right elements for her to rest her back and feet against - surprisingly it didn't take as long as I worried it might.
I played around with contrast a bit in this one. With her legs disappearing into the distance they would have to match the reduction in contrast and saturation of the scenery. I made a copy of Katelyn (something I wish we could do in real life), and massively reduced her contrast and saturation to match the furthest point in the scene's background (i.e. the mountain). I then put that under the original Katelyn and slowly reduced the original's transparency around her legs so the low-contrast cut-out showed through until it looked right.
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